We build the tools that make your mixes sound like records. Every one is measured before it ships, so what you hear is real.
Every one of these is built, measured and in testing now. Here's the order they come out in.
Mastering that listens first. It sets every module and lands your loudness target.
More Nov 4, 2026A sidechain pump locked to your tempo, or keyed off your real kick.
More Nov 18, 2026Your whole vocal chain in one plugin. It listens to the take and sets it up.
More Nov 27, 2026Vantage, Crucible and Ashfall together, for Black Friday.
More Dec 15, 2026Pads, drones and swells for heavy music, landing on the drop.
More Jan 20, 2027Mix reverbs and huge spaces in one, built to stay out of a heavy mix's way.
More Feb 3, 2027Three-band upward and downward smash. The OTT job, free.
More Feb 24, 2027Finds the harsh frequencies and cuts them only while they ring.
More Early 2027The industrial 7-string. Play heavy 7-string riffs from MIDI.
MoreMastering that listens first.
Press LISTEN and play the loudest part of your song. Vantage measures the mix, tames the frequencies that flare up, sets every module and lands the loudness you choose. Then COMPARE plays your original at the same loudness, so you judge the master, not the volume.
Your whole vocal chain in one plugin.
Drop it on a dry vocal, pick a sound and press LISTEN. Five modules, each a mode and a few big knobs: dynamics, de-essing, tone, effects and space. No menus to dig through.
Pads, drones and swells for heavy music.
Ashfall builds the atmosphere under a heavy mix. Its swells land on the drop at your session's tempo, its sub locks to your tuning, and it ducks out of the kick's way so the low end stays tight.
The industrial 7-string.
Write the riff in MIDI and Bessemer plays it on a 7-string, through its own amp. No guitar in the room, no mic, no re-amping. Every string is modelled, not sampled, so it plays in any tuning and no two picks are the same.
Every build is tested against the numbers before it ships. Our limiter is judged by a reference meter far finer than a sample grid. Our EQ filters are checked against the textbook curves.
Louder always sounds better for about ten seconds. Our plugins compare at matched loudness, so you hear what changed, not the volume.
If a control doesn't do something you can hear, it doesn't make the cut. Open it, hear the difference, get back to the music.
Short, practical fixes for heavy mixes. These three are measured on real recordings, level-matched before and after.
NuEQFree
In this riff it's 160 Hz piling up every time the palm mutes dig in. Here's how to cut it only when it shows up.
NuCompFree
A slow attack does the opposite of what you'd think: the pick gets through, then the body gets clamped. +3.6 dB of punch, measured.
NuCompFree
Same drum bus, same compressor, only the attack changed. At 30 ms the hits stand 3.2 dB further out than at 1 ms, measured.
NuEQ, NuComp, NuGate and NuSat, built for heavy guitars, bass and drums. No email, no account, and they stay free.
Get an email the day each release comes out, plus the free Heavy Mix Cheat Sheet: the low string of 10 heavy tunings in Hz, a frequency map, and two compressor settings we measured.
